The Sonic Parthenon Playlist: Early 2010

Acrylics - "All of the Fire"

Right as 2009 wound down, the last new jingle I heard that I responded to was this local act that I thought was a pure Deli Magazine discovery but turned out was a Stereogum-prepped hit-to-be (ain't that a modern music phrasing). Reminds me of Fleetwood Mac but likable. There's also this band out there from Los Angeles called Music Go Music who sound like Abba. What is going on?

The Bravery - "Slow Poison"

Big cheese mainstream modern pop-rock...in a good way. I would never sell this to your grandkids as gold but it sure beats the heck out of whatever else is really popular these days. Who is that anyway? What's her name? The blond girl with the grammys that Kanye hated on? Whoseits...

Basia Bulat - Heart of My Own

The LP is not dead! Basia Bulat has constructed another, maybe even stronger, full length album of songs for a winter's night. Particularly listen to "The Shore". Good lord.

Dawes - "When My Time Comes"

The full album listening is hours away but it can no longer wait. The word must be spread - with harmonies as pristine as some thing in nature to fulfill this analogy, and with more than a friendly helping of inspiration from the likes of The Band, here are Dawes and one of those laid back but effervescently powerful numbers. You'd so expect them to be another beard-and-plaid band but they ain't. How about that?

Editors - "Papillon"

Everyone I hear or read in regards to the new Editors record say they sound very different. I don't hear the difference. In fact I continue to hear the band that does Interpol better than Interpol. They put out something good each time, and they do it again with, at the very least, this Factory Records tribute which should not be confused with the Airborne Toxic Event song of the same name.

Hot Chip - One Life Stand

See? Again. Rumors of the album's demise were exaggerated - though not greatly and admittedly eventually will be true...maybe. The resilient boys in the Hot Chip will not give up on the ol' complete documentation of efforts and why should they? Clubbing, by all accounts, would be a dead art form if not for these Brits. The title track alone is enough to merit the love.

The Low Anthem - "Charlie Darwin"

It took a better part of a year to finally give a solid listen to just this one song after hearing show after show via the interweb of this very stark, crisp band. By the end of the year I'll have the whole record down (it took 8 months to finally listen to the entire Fanfarlo record and that turned out delayed gangbusters). As deeply intellectual and heartfelt without pretension as it can get.

Pains of Being Pure at Heart - "Higher Than the Stars"

Not quite ready for another album, the Pains couldn't let this one wait or slip by. A good old fashioned single! It still remains to be seen if this band is a continuous sound or a more varied enterprise but this indicates some consistency and that's very fine for them.

Patrick Thomas - Build Me A City

After catching this chap at Rockwood, I was mightily impressed. The record is fine, especially something called "Spring Street Baby" which is like Randy Newman down in the Big Easy on a Saturday Night.

Willowz - "Destruction"

I've seen Willowz twice. I saw the goods but I was underwhelmed. Something wasn't gelling. Lo and behold, some years on, they are still going. And not only are they going, they have ARRIVED. "Destruction" is a no-fooling-around rock song, just a few minutes in the mess o' glory. Good work kids. You won me.

Yeasayer - "Ambling Alp"

Didn't loathe that first Yeasayer album but I wasn't exactly all over it like the vast majority of the Indie rock world. They were the thinking man's answer to Vampire Weekend (bill buddies once upon a time FYI) but that didn't necessarily mean they were better. Well hold the phone Charlie. Check this out. While large chunks of the accompanying album leave much to be desired, take this song, wrap it up, and send it to everyone you know because already I can't see a better song coming out this year. This is something else. What a wallop. It sounds like the best of their Brooklyn cohorts in MGMT, with whiffs of the Flaming Lips and the previous album's sound to boot. Just a perfect song. Stick up for yourself, son!

Honorable Mentions:

ALO - "Man of the World"
Cute Lepers - "Smart Accessories"
Lightspeed Champion - "Marlene"
Two Door Cinema Club - "Eat That Up, It's Good for You"

Basia Bulat @ Professor Thom's

Basia Bulat
@ Professor Thom's
New York, NY - January 21, 2010

First review of the decade!!! And this is exactly how it ought to be (sort of). Canadian singer-songwriter/autoharp fanatic Basia Bulat made her long awaited return to New York with a 4-song solo sampler of what's on her new record, Heart of My Own. By all measures, it seems to pick up where Oh, My Darling left off and in fact may be even more potent with serene beauty and painfully crafted longings and laments. It looks like she may even match the perfected bliss of "In The Night".

But what she cannot match is the douchebaggery of yipsters. Despite the fact that this was a record-release party and small performance, it appears the back-half of the very packed crowd were there because they either just wanted to crash the secondary bar in the joint or were told this was the place to be. Despite the efforts of the real fans up front and the singer herself, no one listened. In an anthropological moment, it seemed the only time a Yipster will quiet down is when the amp goes out and the mic is off. Somehow this works. Strange. And so it happens for the second show in a row and I find myself writing more about crowd antics than the show itself. This is a bad sign for the new decade...but it is a sign tempered by the likes of masterful, graceful artists like Basia Bulat. It's performances and artists like this that keep me going.

Sonic Parthenon's The Year In Music 2008: Part 1

The 1900’s
The Chicago pop band picked up right where they left off in 2007 with a swell show at Union Hall in January. Are they still together though?

AC/DC
With the very first notes of "Rock n' Roll Train" there was no fooling as to who was back and back as only they can be. Angus, Malcolm, Brian, Cliff, and Phil don't get together very often these years but when they do, the world is a little bit more fun.

Action Painters
Two reviewed gigs this year - including a Bowery gig that completely trounced the Siren Festival going on earlier in the day - established Action Painters as THE band to watch in New York City. The single "Supermarket" only helped that cause. And they'll be your band to take you into 2009 should you choose to attend their New Year's Eve gig at the Lit.

The Airborne Toxic Event
If there was a Best New Artist Award on this blog, here would be your winner, with little in the way of competition. Their debut LP is certainly the best candidate for Album of the Year (if there were to be candidates). And their live show is up there with the cream of the crop. The new master of the crafty hook, Mikel Jollet has put together the most exciting band to debut from west of the Mississippi in a very long time. They'll never play Pianos again but you can say you saw them when, before they blew the lid off the world.

Be Your Own Pet
They were a bit too much when they debuted (with the grand exception of "Damn Damn Leash"). Then they released a mainstream label record this year that featured "What's Your Damage?" and "The Kelly Affair" and it was all "woah this band is for real". They even generated a bit of punk rock controversy with their label over some content. Then they broke up. Just like that. Punk.

The BellRays
At long last, the BellRays returned to New York and with textbook precision (and a new record) made the case as one of the truly heart-pumping yet soul-satisfying acts to emanate from a now very healthy Southern California scene.

The Black Keys
I'm not going to kid you. I wanted to dislike the new Black Keys record, Attack & Release. This nice and very talented but nevertheless stoic duo from Ohio is one of the landmark bands of the decade but their energy seemed to have run its course after the disappointing Magic Potion and the Chulahoma EP. And the prospect of working with Dangermouse did not translate to automatic excitement. But as it happened, the Auerbach-Carney song-construction company recaptured its old glory and Dangermouse caught the band's sound like lightning in a bottle. Fittingly enough, they've become one of the bigger bands out there and they deserve it.

Black Kids
Along with Vampire Weekend, Black Kids burned the hype candle so bright and caught an insta-backlash so severe, that candle blew out before the LP even debuted. Unlike VW however, there was little love left for this pretty annoying band from Florida. But damn if the hooks on some of the cuts fight through the incredibly dumb lyrics. Anyone who dislikes "I've Underestimated My Charm Again" needs to relax. But it is probably a good thing I didn't see them live because there has yet to be a single positive review in that department.

The Blacks
Their 2007 record, Nom De Guerre, started to gain traction (and my attention) in 2008, and while the Hipstervese was too busy trying to have the Vivian Girls' babies, this trio out of Frisco reminded us what it is like to just appreciate a hook whilst absolutely shredding your amps to beautiful pieces.

Basia Bulat
"In the Night" was one of the singles of the year sung by a Canadian folk dame of the highest caliber, cute as a button, with a fine album (Oh, My Darling) and a beautiful supporting gig with DeVotchKa to boot. If the Grammys had any decency she'd have been the big nominee this year.

DeVotchKa; Basia Bulat @ Terminal 5

DeVotchKA; Basia Bulat; Fancy Trash
@ Terminal 5
New York, NY - May 20, 2008

DeVotchKa are the true gypsies of rock n' roll, taking big hunks of everything, notably Mexican and Russian sounds, and putting it together for both thunderous and symphonic purposes. When backed by their string section, they are luscious, atmospheric. But when they are at their basic 4, they are whip-snapping, Moricone-rock connoisseurs. This dynamic can be summed up purely in lead singer/guitarist Nick Urata, who can serenade like a crooner before sending the crowd straight to hell. Mad professor of strings and various keyboards Tom Hagerman and drummer/horn man Shawn King administer their departments with the upmost duty, and Jeanie Schroder is a thumping, solid bass player when she isn't possibly the only woman who can dance around in a dress while playing a sousaphone.
Terminal 5's sound was hard on that big sousaphone but other than that, the now notoriously crampy and difficult hall was generous to the Colorado contingent. Or it could have just been that DeVotchKa conquered the difficulties.

DeVotchKa & Basia Bulat together - Photo by Pennypacker

Nick has fun with a theremin on SPTV:


Basia Bulat, by all rights, should be the next mega female Indie rock singer. Her voice may very well be unparalleled in her generation. To call it exquisite is to do it injustice. It is beyond anything as humble as the word "exquisite". Her songs are little blankets of joy and melancholy, and her choice of covers - like Daniel Johnston - are as sweet and adorable as her demeanor. She tamed big, bad Terminal 5 with that sensational voice and her tiny, little catalog of music. She's a big dose of sunshine in a sad world.

Photo by Justin Wagner

SPTV insta-clip of Basia's "In The Night":


Fancy Trash are from Massachusetts and they seem like it. These guys should be working the door to the Newhart mountain hotel. These guys define safe, older, acoustic pop. That's not a swipe, though. They construct and perform pretty substantive songs.

Photos by Justin Wagner via KevChino

Sonic Parthenon photos (the old camera is on its last legs, sorry for the poor quality).

Basia Bulat: "In The Night"

With a beautiful voice, Ms. Bulat seems headed for big things, and it will be interesting to see which route she will take. Her music is ripe to go the pure Indie way or crossover to mainstream pop radio. Like her fellow Canadian Neko Case, she has the voice for alt-country but also like her fellow Canadian Sarah Mclachlan, she can add some weight to otherwise conventional radio (lord give us back those days of Fumbling Toward Ecstasy).